Explorations with Body, Sound and Space with Sanjukta Wagh

The Drama School Mumbai has arranged yet another Foundation Skills in Acting workshop in November. Conducted by dancer-actor Sanjukta Wagh, ‘Exploration with Body, Sound and Space’ will focus on learning to imbibe elements of sound and movement to enhance performance.

The workshop will use learning processes developed by Sanjukta which comprise of various methodologies – classical and contemporary dance techniques, Hindustani classical music, Voice-Movement therapy, Yoga, and improvisation within the movement. At the end of the workshop, participants will have an insight on using the body, space and sound in performance and understanding the basic elements of improvisation with sound and movement for performance.

Workshop takeaways:

  • Exploration of movement and its basic components
  • Understanding the use of the body and voice as a tool in performance
  • Develop and build presence in performance, working with focus and clear intent
  • Understanding the mechanics of sound and rhythm in performance, and learning to embody text (with a focus on poetry)

About Sanjukta Wagh:

Trinity Laban Conservatoire of Music & Dance, London | Co-founder, Beej

Sanjukta Wagh is the co-founder of an interdisciplinary initiative called Beej, which is engaged in exploring the creative process and improvisation, alternative methods of classical dance, pedagogy, and collaborative performance, since the year 2005.

Sanjukta has trained extensively under Rajashree Shirke in Kathak and Pandit Murli Manohar Shukla in Hindustani music. Her engagement with theatre was honed by playwright-director Chetan Datar, Navarasa Sadhana training with G Venu, a year-long experience at the Trinity Laban School of Dance, London, her love of literature, and a deep unease with comfort zones. Encompassing all these have led to her interdisciplinary and exploratory mode of work.

Sanjukta has been a curator for dance at the Kala Ghoda Arts Festival in the year 2009, 2012, and 2013. She has been honoured with several awards and scholarships including the Vinod Doshi Award for Significant Work in Performing Arts, Sur Singar Samsad’s Singar Mani, British Council’s Charles Wallace scholarship among others.

 

Details:

Date: 20th to 24th November | Time: 6:30 pm to 9:30 pm

Venue: Fifth Floor, Purandare Hall, Mumbai Marathi Sahitya Sangh, Girgaon, Charni Road East, Mumbai.

To Apply:

Send an email to info@thedramaschoolmumbai.in

Call/WhatsApp us: +91 9619336336

Visit: www.thedramaschoolmumbai.in

 


Weekend Acting Programme with Maneesh Verma

 

The DSM’s Weekend Acting Programme is back!

This time we have actor, director, producer, and Artistic Director of the Actors’ Cult Theatre Company, Maneesh Verma, conducting this acting workshop over three consecutive weekends. The details of the workshop are as follows:

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The Alexander Technique: 2-Day Intensive Workshop with Sarah Barfoot

The Alexander Technique

The Alexander Technique is a mind/body discipline, while achieving a proper understanding of the psychophysical self. As a performer, it brings about a sync of the body i.e. muscles, breathing and posture, in order to have better movement and deliver voice in an optimum manner. It also helps in keeping the muscles relaxed before, during and after a performance, and in the long run, helps keep you injury free and utilise movement and voice while avoiding inflicting stress and harm to both.

 

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Acting Through Voice with Hetal Varia - A 5 Day Intensive Voice Workshop

Voice is an essential aspect of performance, and also regular, daily communication. Voice utilises the body and breath to deliver itself, and it is essential to understand how it all functions and to know how to use it well in order to have a better way to use the voice.

The Drama School Mumbai has a Acting Through Voice Workshop designed and instructed by Hetal Varia, one of the best voice coaches in the country in September, which takes you through all of this and helps you understand and deliver your voice better. This 5 day intensive workshop will help you embrace your voice, understand how the body and breathing come together for the voice, and through exercises, make you use your body and breathing to its optimum for a better way to use your voice.


Acting Shakespeare: Two-Day Intensive Workshop with Paul Goodwin

 

The Course Director for MA in Acting at the Drama Centre London, Paul Goodwin, brings decades of experience and expertise on Shakespeare and acting for Shakespeare to India. The Drama School Mumbai has managed to get a couple of dates from the man and arranged a workshop on Acting Shakespeare.

The 2-Day intensive workshop will delve into the various aspects of voice, breathing, movement, and the verses that will help an actor unlock his true potential in Shakespearean acting.

The workshop will be held on the 13th and the 14th July 2017, from 8 am to 1 pm.

About the Instructor
Paul Goodwin
Course Director, MA Acting at Drama Centre London
MA in Voice Studies, Central School of Speech and Drama
Artistic Director, The Shakespeare Edit (a classical theatre company), London

Paul has been teaching and directing Shakespeare for professional actors and students for more than 30 years. He is the Course Director at the Drama Centre London, alumni of which include: Tom Hardy, Michael Fassbender, Colin Firth, Pierce Brosnan and Emilia Clarke, to name a few. Prior to the Drama Centre, Paul has worked extensively in Text, Voice and Artist Development at the Royal Shakespeare Company. He is currently working on directing a dramatised version of Shakespeare’s narrative poem – LUCRECE, to be performed in London as well as a production of Twelfth Night at the Vakhtangov school in Moscow

Workshop Takeaways
Open and widen the horizon of the voice and the imagination.
Find the impulse for breath and vocal and physical gesture.
Be free to play within fully explored verse structures.
Use practical tools to unlock Shakespeare for you as an actor

Workshop Structure
Day One: You will be given a piece of Shakespearean text, and through a series of practical exercises explore – through the body, voice and rhythm – the clues that are contained in the text, that lead towards an understanding that can then be communicated to the audience through a soliloquy.

Day Two: Building on the exploratory text work from Day one, you will work on a scene, and with a partner, explore the action in the scene. What characters want, and how, as in life, character is revealed through action. “Suit the action to the word, the word to the action” Hamlet’s advice to the players

Through this 2 day workshop, you will gain practical tools that will unlock Shakespeare for you as an actor, and provide you with a working method that will allow you to be more confident when you approach heightened poetic drama.

Dates: 13th and 14th July | Time: 8 am to 1 pm
Venue: Bhalerao Auditorium, Mumbai Marathi Sahitya Sangh, Girgaon, Charni Road East, Mumbai.
Fees: ₹4500/-

To Apply :
To Apply : Email a recent C.V. with a cover letter that tells us why you want to participate to info@thedramaschoolmumbai.in

www.thedramaschoolmumbai.in
facebook/TheDramaSchoolMumbai
+91 9619336336


Conversations@theDSM: Sunil Shanbag and Sapan Saran

Image Courtesy: thehindu.com

 

Fourth instalment of Conversations@theDSM brings to you theatre maverick Sunil Shanbag, and writer, poet, actress Sapan Saran, who will talk about their initiative Tamaasha Theatre, Sunil Shanbag’s plays, the changing trends in theatre, and the relevance of theatre in today’s world.

Continuing with the Guru-Shishya tradition, Sapan who has grown under the mentorship of Sunil Shanbag will be interviewing the latter.

 

About Sunil Shanbag

Sunil Shanbag is a theatre director and producer based in Mumbai. He started his theatre work with Satyadev Dubey in 1974 and worked with him for ten years as an actor, designer, and director before he founded the Arpana theatre company in 1985 with a group of his theatre colleagues. Arpana remains an active theatre company till date and has several notable productions to its credit including Ramu Ramnathan’s Cotton 56, Polyester 84, Sex, Morality, Censorship written by Shanta Gokhale and Irawati Karnik, Stories in a Song made in collaboration with Shubha Mudgal and Aneesh Pradhan, Club Desire written by Sapan Saran, and more recently, Loretta written by Goan writer Pundalik Naik.

In 2015 he co-founded Tamaasha Theatre with Sapan Saran to broaden their definition of theatre, seed the city with intimate, alternative art venues, and work with younger theatre practitioners. Sunil has been actively involved in theatre training, and documentation projects which include the book Scenes We Made, edited by Shanta Gokhale, which traces the history of experimental theatre in Mumbai from the late 1950s to about 2000. He is also part of the core team of SMART, India’s only strategic management programme for theatre, which has worked with about 30 theatre companies from across India over three years. In addition, Sunil has been an independent documentary filmmaker, been involved as a writer and researcher for large scale television projects such as Bharat Ek Khoj and Surabhi, and community history projects such as museums and oral history archives.

 

About the interviewer: Sapan Saran

Sapan Saran is a poet, writer, and an actor based in Mumbai. She is a founding member of the theatre company, ‘Tamaasha’, which aims to explore new theatre ideas in alternative spaces.

Her association with theatre began with a collaboration with dancer Astad Deboo. She has written Club Desire, and Classics Redux, which have been directed by veteran theatre director Sunil Shanbag, with whom she also co-directed the play Marriage-ology. Her first play, Club Desire, a Theatre Arpana and National Centre for the Performing Arts (India) production, was selected for National School of Drama’s International Theatre Festival, Bharat Rang Mahotsav 2015. The Churchgate Couple, a short 10-minute piece from Marriage-ology, written by her, garnered appreciation by critics and audiences alike. She conceived the critically acclaimed production, ‘Blank Page’ in 2015. Her most recent play is ‘Waiting For Naseer’, a quirky, philosophical comedy, that she has written and directed.

She performs regularly as a theatre actor, has modelled in several advertisements, and acted in films. Her poems have been published in several magazines, including the Sahitya Akademi’s Samkaleen Bhartiya Sahitya. Recently, the hindi magazine, Samved, came out with a supplementary book that contained 50 of her poems.

 

About Conversations@theDSM

Conversations are a tradition in theatre. And so, the DSM brings an entire series of discussions, talks and conversations, curated for the first weekend of every month. Our purpose in these conversations is twofold. First, we celebrate the bond between guru-shishya. Teachers in school, professors in college, coaches at the gym and directors in the rehearsal hall – all mentors have taught you something through conversations. That something makes you the person you are today.

The second purpose in these conversations is to celebrate Rekha Sabnis.

Rekha Sabnis was a one-woman theatre army. She ran theatre group Abhivyakti from her house. She took care of sets, costumes, bookings, transport, tickets as well as acting and directing. Abhivyakti starting performing at the Mumbai Marathi Sahitya Sangh, the same building that houses the DSM today. Rekha Sabnis was a key force behind the DSM-Sahitya Sangh partnership. And this partnership makes our work forging a new generation of theatre-makers, possible.

Rekha passed away in September last year, studying elements of the Natya Shastra till the very last.

Conversations@theDSM started in April. It is our small way of paying tribute to a great spirit who made theatre a little bit better for us all. These conversations form part of an ongoing series of talks between theatre-makers young and old. The entire series has been curated by Yugandhar Deshpande and Anuja Kale of TheatreAcross.

 

Date: 8th July 2017

Time: 5 pm

Venue: The Drama School Mumbai, 5th floor, Mumbai Marathi Sahitya Sangh, Kele Wadi, Girgaon, Charni Road East, Mumbai 400004.


Conversations@theDSM: Shafat Khan and Akshay Shimpi

 

For the second session, we have chosen the journey of Experimental theatre from Chhabildas movement to theatre in intimate spaces as the topic of discussion. It will also shed light upon the theatre across the world, how the scene is changing from the perspective of playwrights.

For this discussion, we have veteran Marathi playwright and theatre director Shafat Khan who will be interviewed by actor Akshay Shimpi, who also happens to be a faculty at the DSM.

Experimental theatre has grown and has experimented with itself over time. From the first sessions in the halls of Chhabildas High school to rehearsals and performances in specially built, intimate performance spaces. From handling socially aware topics to exploring movement and performance, the experimental theatre has come a long way. Witnessing this growth was Shafat Khan, while being an active part of that movement. He has written and directed Marathi plays over decades and seen the growth and the change of experimental theatre.

About Shafat Khan

Shafat Khan is a veteran writer and director for the Marathi stage and is renowned for powerful, engrossing plays like Mumbaiche Kavle and Shobhayatra. His approach to writing for the stage is an inspired and meticulous one.

His plays include Kisse, Policenama, Gandhi Aadva Yeto, Popatpanchi and Dry-Day.

Shafat Khan recently got awarded for his work by the Sangeet Akademi.

About Akshay Shimpi

Akshay Shimpi is an actor, a theatre graduate, and is currently working as a faculty member at the Drama School, Mumbai.

About Conversations@theDSM

Conversations are a tradition in theatre. And so, the DSM brings an entire series of discussions, talks and conversations, curated for the first weekend of every month. Our purpose in these conversations is twofold. First, we celebrate the bond between guru-shishya. Teachers in school, professors in college, coaches at the gym and directors in the rehearsal hall – all mentors have taught you something through conversations. That something makes you the person you are today.

The second purpose in these conversations is to celebrate Rekha Sabnis.

Rekha Sabnis was a one-woman theatre army. She ran theatre group Abhivyakti from her house. She took care of sets, costumes, bookings, transport, tickets as well as acting and directing. Abhivyakti starting performing at the Mumbai Marathi Sahitya Sangh, the same building that houses the DSM today. Rekha Sabnis was a key force behind the DSM-Sahitya Sangh partnership. And this partnership makes our work forging a new generation of theatre-makers, possible.

Rekha passed away in September last year, studying elements of the Natya Shastra till the very last.

Conversations@theDSM started in April. It is our small way of paying tribute to a great spirit who made theatre a little bit better for us all. These conversations form part of an ongoing series of talks between theatre-makers young and old. The entire series has been curated by Yugandhar Deshpande and Anuja Kale of TheatreAcross.

Date: 13th May 2017
Time: 5 pm
Venue: 5th floor, Mumbai Marathi Sahitya Sangh, Kele Wadi, Girgaon, Charni Road East, Mumbai 400004.


The DSM Comes to Chennai!

 

Chennai: DSM Open Day series with Tushar Pandey

The DSM’s Open Day series visits for the first time in Chennai! And it is completely free and open to all!

 

At the DSM Open Day, leading theatre-makers, who are also DSM faculty, will show you what students at the school are taught as a part of their training. This is an excellent opportunity for you to witness first hand what makes learning at The Drama School Mumbai the best stepping stone for a bright career in theatre.

After successful Open Days in Bangalore, Mumbai and Pune, the DSM Open Day now comes to Chennai for the FIRST time ever.

 

About the Facilitator

Tushar Pandey

Tushar is an India based Actor, Director and a Teacher. He is an International awardee, with specialisation on Lecoq’s pedagogy from the London International School of Performing Arts (LISPA) and a graduate of the National School of Drama (NSD), India, Tushar has been practising performance since 2003. During the last eight years, he has been associated with various projects in India and the UK, performing, conducting workshops, creating works from classical styles to site-specific contemporary, acrobatic and mask-based works.

Apart from performing and creating work for stage in India, UK, Greece, China, Dubai, Tushar acted in a pivotal role in acclaimed film ‘PINK’, released in 2016, and has also played a lead role in an independent film, ‘Beyond Blue’, which premiered at Marche du (Cannes Film Festival 2015). He received Best Actor special mention at a festival in Rome in December 2015.

Tushar’s work concerns highly visual movement-and-text based combinations of fiction and non-fiction sources and is presently devising works to develop performance language and create new expressions that go beyond existing performance boundaries. Tushar is the co-convener of The Drama School, Mumbai and has been a visiting faculty at National School of Drama, New Delhi.

Oh, and the Open Day is completely FREE and open to all!

To sign up, write to us on info@thedramaschoolmumbai.in or give us a call on 9619336336.


Open Day Series: The DSM comes to your city!

Want to make theatre your career? Well, look no further, because the DSM Open Day Series is HERE!

Get a chance to experience world-class training and know more about the Post Graduate Diploma in Acting and Theatre-making at The Drama School Mumbai during its Open Day Series which travels to 7 cities across the next 2 months. Here leading theatre-makers, who also happen to be DSM faculty, will show you what students at the school are taught as a part of their training. This is an excellent opportunity for you to witness first hand what makes learning at The Drama School Mumbai the best stepping stone for a bright career in theatre.

Oh, and the Open Day is completely FREE and open to all!

The Open Day campaign kicks off on the 11th of March with free workshops in Mumbai and Bangalore. If you’re in Mumbai, you have the opportunity to get 2 free sessions by Akshay Shimpi and Roo Jhala-Mclaughlin.

Akshay Shimpi is an alumni of the University of Mumbai Theatre Arts Department and has performed in various plays and short films. Roo graduated from the Oxford School of Drama, UK and specializes in Shakespeare and Theatre-in-Education. These are two workshops that will leave you breathless yet self-aware!

 

In Bangalore, the co-founder and co-convenor of The Drama School Mumbai himself is coming down to bring the rigour and intensity of the school through a 3 hour workshop in the foyer space of Ranga Shankara. Jehan, a Sangeet Natak Akademi awardee, has his Masters in Theatre Direction from Birkbeck, University of London. You can explore the idea of creating meaning onstage through moments of action with Jehan and also talk to him about how exactly does someone become a theatre professional in India. 

Sign up for these right away, because these workshops do tend to fill up real fast! And if you can’t make it to Bangalore or Mumbai on the 11th, get in touch anyway and we’ll keep you posted about the next Open Day closest to you. Also, if you’d like to arrange for an open day in your city, drop us a line and we’ll do our best to work something out for you.

Call +919619336336 to block a spot right away!

 


2 Day Intensive Workshop in Corporeal Mime with Vini Carvalho

Vini Carvalho in action

Corporeal Mime is an aspect of physical theater. It’s objective is to place drama inside the moving human body by allowing the actor to show thought through movement. It “makes the invisible visible” through the presence of the body. Developed by Etienne Decroux, Corporeal Mime is unlike pantomime that substitutes speech with gesture. The objectives of Corporeal Mime are to enable the actor to become more autonomous in creating metaphor-based physical theater pieces, which may include text, but are not based on text, i.e. to give the actor greater access to physical metaphors that work in traditional plays, and to increase the actor’s strength, agility, flexibility and imaginative powers.

 

This month we have an intensive Corporeal Mime workshop conducted by Vini Carvalho. He has been developing his practice as a movement teacher and performer for the past nine years, teaching various workshops and classes in theatre, neutral mask and mime. He trained at the International School of Corporeal Mime for four years in London and graduated in Performing Arts from University of Campinas, Brazil. Vini has also worked and studied with a number of companies and theatre practitioners, such as Theatre de l’Ange Fou, Alice K, LUME, Tiche Viana and Leris Colombaione. He is the artistic director of Fool’s Cap Theatre.

Through technical and creative exercises the workshop will focus on the following-

  • Articulation of the body and space
  • Counterweights: creating actions of ‘push, pull, lift’
  • Dynamo-rhythms: playing with different rhythms in movement
  • Walks
- Improvisations based on the technique
  • Figures- short movement sequences based on daily actions
  • Pieces from the repertoire of the technique

Through the workshop the participants will be able to enhance their  stage presence, precision, confidence in movement, balance, coordination, dynamics and rhythm, muscular tone and flexibility. At the same time the participants will gain an understanding of the basic technique and style of Corporeal Mime. .

Don’t miss this chance to dive into the world of mime and movement-based performance!

Date: 16th and 17th February

Time: 8 am to 2 pm

Fee: Rs 4500

Venue: Mumbai Marathi Sahitya Sangh,

Dr Bhalerao Marg,

Charni Road Kele Wadi,

Mumbai-400002

Age limit: Over 16 years

To apply send in your CV and a cover letter stating your reasons for wanting to do this workshop to info@thedramaschoolmumbai.in

Carvalho Flier

Dress code: Tight workout/dancewear clothing or clothing that does not restrict movement and will allow your tutor to see your work more clearly.

In order to get the most from the workshop you should be able to-

  • Follow spoken instructions
  • Work within groups and pairs safely
  • Be able to undertake a movement class