Performance@theDSM: Backstagewala Koni

 

Every theatrewala has a burning desire to perform onstage, but what one encounters before being onstage is the world of the inglorious backstage.

Backstagewala Koni is a narrative that gives inner shades from the life of a struggling actor who wants that one desperate chance to prove himself and satisfy his longing passion. He tries hard, struggling to enter a theatre group, to get even a single entry on the elusive stage. The performance humorously represents the variety in the life of a theatre actor, its audience, and critics, who come together to develop a full set of drama.

The play also deliberately points out the various different perspectives and ideologies of people who pursue theatre and arts. Backstagewala Koni is a story of a young actor and his overwhelming journey working backstage. But is he successful and satisfied at the end of it all?

Production House
Awishkar

Written and directed by
Yugandhar Deshpande

Cast
Geetanjali Kulkarni
Shilpa Sane
Umesh Jagtap/ Suhas Sirsat
Swapnil Sarav
Kiran Pavaskar

Duration: 50 mins

Language: Marathi

Date and time: 28th October, 7 PM
Venue: 5th Floor, The Drama School Mumbai, Girgaon, Mumbai – 400 004
Tickets: Rs. 200/-

Book tickets here.


October Schedule for @theDSM!

After a little break in September, we’re back with @theDSM in October with a brilliant talk with Shernaz Patel and an interesting performance based piece.

Here is how it will go down in October.

Conversations@theDSM

14th Oct- 5pm

A talk with Shernaz Patel
Theatre/film actress

Shernaz will share her amazing journey in theatre, stories of her childhood growing up in a family of theatrewallahs, her successes and setbacks, her theatre child Rage Productions, and her views on theatre in India and around.

Performance@theDSM

28th Oct – 7pm

“Backstagewalla Koni”
Written and designed by -Yugandhar Deshpande
(Marathi, Hindi, English)

A combination of reading, performance, interactions and a lot more about theatre, the addas, the people, the groups and everything that surrounds the theatre world off-stage.

 

Workshops

The DSM will hold a Weekend Acting Programme with Maneesh Verma in October. Watch this space for updates on further details.

 

We hope to see you @theDSM!


Pai Paishachi Goshta: Play@theDSM

People have changed with the changing times. The parameters of happiness have changed. Also the approach towards the practical and financial affairs has changed. An old lady summarisesthis change in her own words.

A story of an old lady “Pai Paishachi Goshta”

Pai Paishachi Goshta is based on a story by eminent writer Dr. Vijaya Rajadhyaksha. Adapted and directed by Vipul Mahagaonkar, the play had its first show in 2015, and has had numerous shows across the country.

The play has also won a lot of awards including a 2016 Zee Natya Gaurav for Best Actress to Ila Bhate, a veteran actress in Marathi theatre and film.

Production House :- Taleem

Actor- Ila Bhate

Story – Dr.Vijaya Rajadhyaksha

Adapted & Directed by- Vipul Mahagaonkar.

Produced by- Ujwal Mantri

Music by Prabodh Shetye

Costumes- Vinaya Walawalkar Mantri.

 

About the director 

Vipul Mahagaonkar

Vipul Mahagaonkar has directed two of the best experimental plays currently running – Khidki and Pai Paishachi Goshta. Both adaptations, done in his own special way. Both absolutely poles apart in terms of content and execution and even emotions. That has given us an idea of how versatile this man is with his handling of plays. And he intends to take theatre to every nook and corner of the country, especially the inaccessible ones. With such talent and such a remarkable thought of taking the art form everywhere, he is easily one of the best that experimental theatre has.

About the actor

Ila Bhate

In her stage career, Ila has played more than 25 roles. Her most popular plays are ‘Mi Majhya Mulancha’ with Vikram Gokhale and the widely acclaimed ‘U-Turn’ (2008) with Girish Oak. U-Turn, which treated the subject of companionship in the elderly age, has been played more than 500 times, which is rare for a drama that has only two characters. It received numerous awards including honour from the State Government of Maharashtra. In fact, we can proudly say the U-Turn is the only two character play to complete 500 shows with the same cast throughout.

 

When?

29th July, 7 PM

Where?

5th Floor, The Drama School Mumbai, Girgaon, Mumbai – 400 004

Tickets?

Rs. 200/-

Book tickets here.

 


Conversations@theDSM: Sunil Shanbag and Sapan Saran

Image Courtesy: thehindu.com

 

Fourth instalment of Conversations@theDSM brings to you theatre maverick Sunil Shanbag, and writer, poet, actress Sapan Saran, who will talk about their initiative Tamaasha Theatre, Sunil Shanbag’s plays, the changing trends in theatre, and the relevance of theatre in today’s world.

Continuing with the Guru-Shishya tradition, Sapan who has grown under the mentorship of Sunil Shanbag will be interviewing the latter.

 

About Sunil Shanbag

Sunil Shanbag is a theatre director and producer based in Mumbai. He started his theatre work with Satyadev Dubey in 1974 and worked with him for ten years as an actor, designer, and director before he founded the Arpana theatre company in 1985 with a group of his theatre colleagues. Arpana remains an active theatre company till date and has several notable productions to its credit including Ramu Ramnathan’s Cotton 56, Polyester 84, Sex, Morality, Censorship written by Shanta Gokhale and Irawati Karnik, Stories in a Song made in collaboration with Shubha Mudgal and Aneesh Pradhan, Club Desire written by Sapan Saran, and more recently, Loretta written by Goan writer Pundalik Naik.

In 2015 he co-founded Tamaasha Theatre with Sapan Saran to broaden their definition of theatre, seed the city with intimate, alternative art venues, and work with younger theatre practitioners. Sunil has been actively involved in theatre training, and documentation projects which include the book Scenes We Made, edited by Shanta Gokhale, which traces the history of experimental theatre in Mumbai from the late 1950s to about 2000. He is also part of the core team of SMART, India’s only strategic management programme for theatre, which has worked with about 30 theatre companies from across India over three years. In addition, Sunil has been an independent documentary filmmaker, been involved as a writer and researcher for large scale television projects such as Bharat Ek Khoj and Surabhi, and community history projects such as museums and oral history archives.

 

About the interviewer: Sapan Saran

Sapan Saran is a poet, writer, and an actor based in Mumbai. She is a founding member of the theatre company, ‘Tamaasha’, which aims to explore new theatre ideas in alternative spaces.

Her association with theatre began with a collaboration with dancer Astad Deboo. She has written Club Desire, and Classics Redux, which have been directed by veteran theatre director Sunil Shanbag, with whom she also co-directed the play Marriage-ology. Her first play, Club Desire, a Theatre Arpana and National Centre for the Performing Arts (India) production, was selected for National School of Drama’s International Theatre Festival, Bharat Rang Mahotsav 2015. The Churchgate Couple, a short 10-minute piece from Marriage-ology, written by her, garnered appreciation by critics and audiences alike. She conceived the critically acclaimed production, ‘Blank Page’ in 2015. Her most recent play is ‘Waiting For Naseer’, a quirky, philosophical comedy, that she has written and directed.

She performs regularly as a theatre actor, has modelled in several advertisements, and acted in films. Her poems have been published in several magazines, including the Sahitya Akademi’s Samkaleen Bhartiya Sahitya. Recently, the hindi magazine, Samved, came out with a supplementary book that contained 50 of her poems.

 

About Conversations@theDSM

Conversations are a tradition in theatre. And so, the DSM brings an entire series of discussions, talks and conversations, curated for the first weekend of every month. Our purpose in these conversations is twofold. First, we celebrate the bond between guru-shishya. Teachers in school, professors in college, coaches at the gym and directors in the rehearsal hall – all mentors have taught you something through conversations. That something makes you the person you are today.

The second purpose in these conversations is to celebrate Rekha Sabnis.

Rekha Sabnis was a one-woman theatre army. She ran theatre group Abhivyakti from her house. She took care of sets, costumes, bookings, transport, tickets as well as acting and directing. Abhivyakti starting performing at the Mumbai Marathi Sahitya Sangh, the same building that houses the DSM today. Rekha Sabnis was a key force behind the DSM-Sahitya Sangh partnership. And this partnership makes our work forging a new generation of theatre-makers, possible.

Rekha passed away in September last year, studying elements of the Natya Shastra till the very last.

Conversations@theDSM started in April. It is our small way of paying tribute to a great spirit who made theatre a little bit better for us all. These conversations form part of an ongoing series of talks between theatre-makers young and old. The entire series has been curated by Yugandhar Deshpande and Anuja Kale of TheatreAcross.

 

Date: 8th July 2017

Time: 5 pm

Venue: The Drama School Mumbai, 5th floor, Mumbai Marathi Sahitya Sangh, Kele Wadi, Girgaon, Charni Road East, Mumbai 400004.


Adrak@theDSM - Niketan Sharma brings his new play to the DSM

 

Alumnus Niketan Sharma brings his play Adrak to The Drama School Mumbai!

Teaming up with him are alumni Trinetra Tiwarii, Dheer Hira, Niharika Lyra Dutt and Kartavya Anthwaal Sharma, and co-writer Abhishek Kumar.

 

About Adrak

Adrak is a story which revolves around three characters namely Vikrant, Nischay and Anokhi.

The bond between Vikrant and his younger brother Nischay is such that they both feel dependent on one another. But it’s difficult to say who is more dependent on the other!

Nischay can’t find a space to live independently. Also, he is so comfortable living in the shadow of his elder brother that it is very difficult for Nischay to live away from Vikrant.

Anokhi comes in Vikrant’s life and eventually in their home (to live in) and the equation changes.

Vikrant and Anokhi’s relationship starts affecting Nischay? Or is Nischay affecting them?

Are they in the same soup now or is of them a missing ingredient?

The play starts with Vikrant and Anokhi falling apart after 4 years of their relationship resulting in a separation.

It later unfolds on that single day when Anokhi is coming back to get her stuff back. This creates all the chaos and ruckus in their lives.

After this incident, things would not be the same for all of them..specially for Nischay!

Come, watch the play at The Drama School Mumbai.

 

Date: 24th June, 2017

Time: 7 PM

Venue: 5th Floor, The Drama School Mumbai, Girgaon, Mumbai – 400 004

Tickets at the gate.  


Conversations@theDSM: Rajkumar Tangde and Kailash Waghmare

At the third instalment of the lecture series, the conversation will revolve around the celebrated play Shivaji Underground in Bhimnagar Mohalla. The playwright, Rajkumar Tangde, will be interviewed by the lead actor of the play, Kailash Waghmare. Both Rajkumar and Kailash, apart from being colleagues, are also great friends and mentor each other throughout their artistic endeavours.

Historical figures have often been used by political parties to their own end. In the state politics of Maharashtra, Shivaji is one such figure. The play, Shivaji Underground in Bhimnagar Mohalla, provides an alternative and a humane history to the founder of the Maratha empire in the 17th century. The play exposes the political parties who have literally “kidnapped” what Shivaji stood for. It brings back the importance of debate, the need to revisit history and search for answers and rebukes political propaganda. The play is of particular importance today, almost five years after its inception, due to the increasing influence of a majoritarian political party while suppressing minorities in the Indian scenario.

About Rajkumar Tangde
Rajkumar Tangde is a Marathi playwright who has to his credit plays like the critically acclaimed Shivaji Underground in Bhimnagar Mohalla, Kaay Dila Swatantryane, Aakda among others. He has also written plays like Tisra Paaul and Swargarohun.

About the interviewer: Kailash Waghmare
Kailash Waghmare did his Master in Theatre Arts from Mumbai University. He has acted in plays like Shivaji Underground in Bhimnagar Mohalla directed by Nandu Madhav and English play Lorett by Sunil Shanbag. He has also starred in multiple films and short films including Manatlya Unhat, Mor Dekhne Jungle Main, Tukaram, Mhadu, Half Ticket, Bhikari, Dry Day, Maajhi Shaala and many others.

About Conversations@theDSM
Conversations are a tradition in theatre. And so, the DSM brings an entire series of discussions, talks and conversations, curated for the first weekend of every month. Our purpose in these conversations is twofold. First, we celebrate the bond between guru-shishya. Teachers in school, professors in college, coaches at the gym and directors in the rehearsal hall – all mentors have taught you something through conversations. That something makes you the person you are today.

The second purpose in these conversations is to celebrate Rekha Sabnis.

Rekha Sabnis was a one-woman theatre army. She ran theatre group Abhivyakti from her house. She took care of sets, costumes, bookings, transport, tickets as well as acting and directing. Abhivyakti starting performing at the Mumbai Marathi Sahitya Sangh, the same building that houses the DSM today. Rekha Sabnis was a key force behind the DSM-Sahitya Sangh partnership. And this partnership makes our work forging a new generation of theatre-makers, possible.

Rekha passed away in September last year, studying elements of the Natya Shastra till the very last.

Conversations@theDSM started in April. It is our small way of paying tribute to a great spirit who made theatre a little bit better for us all. These conversations form part of an ongoing series of talks between theatre-makers young and old. The entire series has been curated by Yugandhar Deshpande and Anuja Kale of Theatre Across.

 

Date: 17th June 2017

Time: 5:00 PM to 6:00 PM

Venue: The Drama School Mumbai, Mumbai Marathi Sahitya Sangh, Mumbai, India 400004


Aakash Prabhakar@theDSM: Crumpled

Crumpled – A Compilation of Imperfect Love Stories

 

DSM alumnus Aakash Prabhakar comes to DSM with Crumpled, a compilation of imperfect love stories. Aakash is accompanied by a talented cast and crew who make these five stories something you will remember for a long time.

Crumpled will be performed on the 27th of May at 7 pm. Of course at The Drama School, Mumbai.

 

Crumpled is a compilation of 5 modern short love stories of 10-15 minutes each showing what and how relationships are all about now in the contemporary times.

Written by: Aakash Prabhakar, Julianne Homokay, Rahul Rai, Kalpak Bhave.

Cast: Aakash Prabhakar, Chirag Lobo, Gaurangi Dang, Himanshu Sharma, Mahnaz Damania, Manu Gupta, Rajan Sharma

 

The stories:

The Connection

Written By Aakash Prabhakar

Life without the Internet seems pretty impossible doesn’t it?

The Connection is a story about what happens when a young couple go through a traumatic loss of loosing their (internet) connection for 10 minutes and what happens for those 10 minutes and how they find a deeper connection with each other than the one they lost.

 

The Tinder date

Written By Rahul Rai

“Tinder” which is so widely used and loved here in a city like Mumbai, is loved may be because people who use it are from Mumbai, or any other metropolitan city.

What happens when a boy from Haryana who moved into Mumbai goes on a tinder date with a “Mumbai Girl” is what The Tinder Date is all about. Was swiping right really the right thing to do?

 

Spur

Written By Kalpak Bhave

Sometimes people really wish they could just go back in time, may be just for a few seconds, sometimes you also have to be really careful of what you wish for. Hasan makes a choice, which his girlfriend Tara is clearly not happy about and he wonders if he would have done the same if he could go back in time just for few seconds ..and he does go back in time..

He would have done the same? He wouldn’t? May be he…

 

The Wedding Story

We always go for the stereotypes don’t we? Create the most typical characters while we tell our kids a bedtime story? It is Usually about A prince and his princess, whisking away on a white horse to Hawaii for their honeymoon after their marriage? The storyteller who tells this story will surely be surprised when these characters suddenly pop out from the story his weaving to tell him what the reality is. Of course, in front of all those kids he is telling the story to.

 

The American Dream

Written By Aakash Prabhakar

A nice big house in California or Washington Dc may be, two cars, two kids, make a lot of money and enjoy that lifestyle that we see on television or hear our relatives living all the time is usually what we want isn’t it? That has always been the dream. The American Dream is a monologue about the American dream that a boy always chased since he was in 4th grade. But not all dreams come true isn’t it?

Who cares if it doesn’t? Life moves on anyway..

 

Crumpled

Date: 27th of May 2017

Time: 7 PM

Venue: The Drama School, Mumbai

 


Alumni@theDSM: Performances by new theatre-makers

Over the next 4 months, past students of The Drama School Mumbai will bring their performances back their school. This is a special feature of “Alumni@theDSM” season of performances. It is a choice selection of new performances by a new generation of theatre-makers who started their journey at the DSM.  The first performance in this series is Chenda, a play devised by BeTaal.

BeTaal@theDSM

BeTaal is a group of theatre enthusiasts who believe in the off-beat, the breaking of rhythm and going BeTaal. Vaishnavi Rp (2015-16) and Abhinav Grover (2014-15) founded this group last year. Thus far they have embarked on 3 projects: Chenda, Paanchvaali and Mere Abba Mughal-e-Azaam.

A Chenda is a South Indian cylindrical percussion instrument whose ends are covered, usually with animal’s skin. This instrument is famous for its loud and rigid sound. The first is a performance called Chenda which is about a folk artist who realizes that his dead cow’s soul has come into his Chenda. The play opened at Thespo last year.
Playwright:  Abhinav Grover

Crew: Vaishnavi Ratna Prashant, Seewant Kushal, Siddharth Raghuvanshi, Srinivas, Venu Madhav Bhatt, Rishabh Kanti.

Language: Hindi

Performance Duration: 60 mins

 

For tickets, click here: https://in.bookmyshow.com/plays/chenda/ET00054995

For more details, call 9619336336 / mail info@thedramaschoolmumbai.in

 


Hear ye! Hear ye! The Mule's Foal is coming your way!

After 24 weeks of intensive training with the finest theatre-makers in acting, speech, body movements and theatre lessons, Batch 2016-17 of The Drama School Mumbai is ready with its first performance for the masses in the form of “The Mule’s Foal.”

Based on the short novel by Fotini Epanomitis, and adapted by Australian playwright Alan Becher, The Mule’s Foal is a tale about love, longing, gossip and a village where nothing makes sense! Under the co-directorship of theatre-makers Puja Sarup and Sheena Khalid, the students of DSM showcase their theatre chops in this new Hindi translation by Neha Sharma.  As a part of their curriculum, the students are given the opportunity to tour multiple cities with the production of the play.

“This is a show that is as much devised as it is scripted and in that sense the students have contributed so much to the creation of the show,” the directors said of this collaborative effort by the students of the DSM.

The show opened on the 4th and 5th of March at The Drama School Mumbai. Dates of the subsequent performances are given below. To book your tickets, do log on to bookmyshow.com.

 

7th March, 6:30pm – NCPA XP, Mumbai

11th March, 3:30pm – Ranga Shankara, Bangalore

11th March, 7:30pm – Ranga Shankara, Bangalore

26th March, 11am – Sudarshan Rangmanch, Pune

27th March, 6pm – Lalit Kala Kendra, Pune

1st April, 7pm – The Drama School Mumbai

8th April, 7pm – The Drama School Mumbai

15th April, 7pm – The Drama School Mumbai

16th April, 7pm – The Drama School Mumbai

 


Shadows of Fire: NaireetBasak@theDSM

Shadows Of Fire 1

Shadows Of Fire is a solo performance that emerged from Butoh. It delves into the subconscious of the body and mind and tries to call out to the fire hidden within us. This fire physically has no shadow, but emerges every time it is evoked. This piece explores the birth of an untamed creature, its growth and its play with the different elements found in nature. It looks for freedom from all these, with help from the balance of the ambers and blues in a body, but gets stuck in a dilemma of energy. Does it escape the cacophony of the watchful eyes or does it perish? The question remains answered. Shadows Of Fire has been inspired by Naireet’s body-watching and exploration of the elements in the body that were realized into a dramatic piece while practicing Butoh.  A highly interpretative piece, he expects audiences (and himself) to be “surprised” each time with the energies of the performance.  

Click here for a glimpse of Shadows Of Fire at the Butoh Festival at Mcleodjang, Himachal in May 2016.

Naireet is a theatre-maker and performer whose primary interest is in telling stories through moving body images. He has trained intensively in Kalaripayatu and Butoh and worked with Clowning, Tai-chi, Kudiyattam, contemporary dance and various other theatre-making forms. He has been involved with Children’s Theatre both as an actor and director in Kolkata. Last year he directed Love Circus – a six actor movement performance piece in Kolkata.

Date: 25th Feb

Time: 7 PM

Cost: Rs 200/- per ticket

Venue: 5th Floor, Mumbai Marathi Sahitya Sangh, Dr Bhalerao Marg, Charni Road Kele Wadi, Mumbai-400002

Call 9619336336 for details