"The more awards an artist wins, the less insecure he becomes" - An interview with Ramu Ramanathan

Photo credit: Junoon Mumbai Local

Ramu Ramanathan is not a new name in the Indian theatre circuit. In fact, it is a very popular one. He has, to his credentials, some of the most prolific awards in the industry. Recently, Ramu was awarded with the NDTV-Serendipity Arts’ ‘Arts Spectrum’ award in the Performing Arts category. We spoke to him on what it means to be an effective playwright and how he manages to be a journalist and editor by the day and a writer and director by the night. Read on to know his thoughts…

This interview has been sketched by Roshan Kokane, communications executive at the Drama School Mumbai with inputs from Ragini Singh Khushwaha, programme head at the DSM.

Roshan: Ramu, you have written over 30 plays and directed over 20. You are also an award-winning author, a full-time editor and a faculty member at the DSM. How do you manage to play so many roles and yet bag so many esteem awards? What’s your secret?

Ramu: Adam Zagajewski, a Polish poet said, “The more awards an artist wins, the less insecure he becomes and that affects the edges of his work.”  In a country like ours where there is widespread reluctance to acknowledge works of art, every award is important.

Ro: A lot of your work is centred around Mumbai city. Why so?

Ra: I have a love-hate relationship with theatre and with the city of Mumbai. There are days when I have a compulsive love-obsession and there are days when I detest the city from the bottom of my heart. As a journalist, I love the process of education and edification. I think artists have the ability to throw light on the topics that are in dark. For example, I admire Vijay Tendulkar’s penchant to tell stories of volatility of the social middle class drama. The manner in which Tendulkar like Bhau Padhye, Jagdamba Dixit and Shyam Manohar Joshi ripped apart the fabric of sophistication or pretence. They barged into the living rooms of middle class lives and shredded the veneer to pieces.

Ro: How did you get interested in writing and theatre?

Ra: I am blessed to have been brought up in a city with so much theatre and art. I grew up in the LIC colony in Santacruz, opposite the BEST bus depot. There were some exceptional plays of stalwarts like Dada Kondke, Nilu Phule and Ram Nagarkar staged there. It was a cross section of groups and people staging plays for the middle class and working class of Mumbai. Interestingly, it was hosted by the LIC labour union cultural wing. Theatre in Mumbai wasn’t the domain of the rich and powerful and high and mighty, but of all strata of the society. It belonged to everyone. Mumbai also has a history of theatre from the time of industrial workers. 

Picture sourced from Twitter.

Ro: In what way?

Ra: During 1938-39, the Kamgaar Rangbhoomi theatre fest was established. These were informal improvised spaces of performances for workers to watch. One-act plays and Loknatya were really popular then. I have grown up watching some of the performances myself. Well, I am not that old but yes, the tradition of performance has been an old one. I have also attended labour union theatre competitions in Mumbai. Today, Mumbai has around 1000 to 1500 shows in a month and they are mainly performed in four languages namely Marathi, Gujarati, English and Hindi with a sprinkling of Konkani and Malvani. This huge repository of work to watch, inspired me to write. 

Ro: What are your future plans?

Ra: Currently, I am collaborating with theatre artistes to highlight the pitfalls of Aadhaar through poetry. Through this project, I aim to create awareness regarding the privacy and welfare aspects of Aadhaar and the other side to it. Different theatre artists will come together and read sketches that would be later uploaded on http://aadhaar.fail/ I wrote the first Aadhaar poem (Ashwathama) to be read out at the Prakriti Poetry Fest in January. Three readings were in Chennai colleges. The response from the students and educators was good. They said, this poem should be on our syllabus. But we know that can never happen under the present regime. That’s how I thought about writing a few more.

Ro: Are you writing anything presently?

Ra: I am keen to write a play about the World War I in 1914 and its impact on Mumbai, the Mathura rape case and the independent autonomous women’s movement of the early eighties and Dr Ambedkar’s Mahad Satyagraha.

Ro: What advice would you give to young playwrights?

Ra: Some of my most favourite experiences in theatre and writing have been with young people. I think India is blessed with talented writers and theatre-makers. Every artist needs to understand that it takes a lot of time, energy, practice and patience to create works of art. One shouldn’t lose hope or motivation with failures or rejections. Every great writer (and by that, I mean writers I admire) have been endured decades of failure or depression. Another ability one must hone if they aim to be a storyteller is to be consistently brave enough to try new things and surprise oneself. For this, one has to read the old masters like Odon Von Horvath and George Buchner plus contemporary artistes like Ngugi and Fosse. Simply because you have to study the competition. I see a lot of potential in the younger generation today. I believe that they have the ability to break through cultural and social stereotypes and create a better future for freedom of expression.

Make sure that your content is potent with politics, humour and music.

Ro: In your view what is good playwriting?

Ra: In the last few years, there have been a proliferation of workshops related to playwriting. There is no fixed template for these workshops. In one session, I have taken the liberty to use Fyodor Dostoevsky’s text because there’s a lot one can learn about character sketches and plot lines from the old Russian master. In Dostoevsky’s book The Idiot there is a character of General Ivolgin. This character says, there is perhaps a lie in every sentence. Lebedyev is insufferable, he says, and had the gall to declare that in 1812, he lost his left leg and buried it in a Moscow cemetery. Now the astonishing thing is, Dostoevsky stole the inscription from his own mother’s tomb. Impossible, say workshop participants when they hear this. So how far should a true artist go? Dostoevsky is a true novelist. He will steal, his characters will lie. But ultimately, the work is brutally honest. And that is the point. No?

Ro: How is the writing scene in the Indian theatre circuit? What changes do you envision in the coming years?

Ra: Young people are uploading on YouTube, there are theatre monologues on podcasts. It ensures million hits in some instances. With the Aadhaar poems, the sketches are available all across the country. Plus, we have the liberty to archive contemporary plays. What DSM, Junoon and others are doing in terms of research and archiving of talks, interviews and lec-dems is amazing. This is the future of the Indian theatre circuit. The present movement and the journey.

Ramu was born in Kolkata but finished his education in Mumbai. He is currently the editor at PrintWeek India.

Ramu’s suggestions and playlists:

Favorite plays:

  1. Krapp’s Last Tape by Samuel Beckett
  2. Happy Days by Samuel Beckett
  3. Mahanirvan by Satish Alekar
  4. Begum Barve by Satish Alekar
  5. Trutiya Ratna by Jyotiba Phule
  6. Urubhangam by Bhasa

Favourite Theatre-makers:

  1. Puja Sarup – Puja Sarup is a director, actor and teacher of theatre. She is the founder of group Patchwork Ensemble. She tours nationally and internationally with her group regularly. 
  2. Yuki Ellias – Yuki is an actor based out of Mumbai. She staged an award winning play last year called Elephant in the Room
  3. Deepan Sivaraman – Deepan is a director, scenographer and an academic. He owns Oxygen Theatre Company and is based out of Thrissur. 
  4. Kabir Kala Manch – a cultural group who perform in the villages and bastis of Maharashtra

Alternate careers:

  1. Left back for Fulham Club at Craven Cottage
  2. Fish connoisseur
  3. Be a rock on Nandi Hills in Bengaluru which is 3.5 billion years old

Awards:

  1. NDTV-Serendipity Arts’ “Arts Spectrum” award in the Performing Arts category – 2017
  2. All India Best Play Award awarded by The Hindu for Shanti, Shanti, It’s A War– 1993
  3. Regional Award Winner of the BBC International Radio Playwriting Competition for Collaborators – 2003
  4. Bagged the META Best Play and Best Playwright Award for Cotton 56, Polyester 84– 2006

Weekend Acting Programme : Acting, Self-expression and Communication with Padma Damodaran

 

About the Instructor

Padma Damodaran

MA (Acting) East 15 Acting School, U.K.

Padma Damodaran is an actor, director, writer and trainer and currently performs in Manav Kaul’s Chuhal, Danish Hussain’s Qissebaazi, and Mahesh Dattani’s directed play Menghaobi – The Fair One written by Shanta Gokhale. She also appears on Tere Liye Bro, a web series on Bindass Channel. ​She recently directed ‘Given’ as part of the Royal Court UK and Rage Productions’ Writer’s Bloc festival. Her film ‘Mantra’ won the best feature award at the South Asian Film Festival, New York and her short film ‘Best Friends Forever’ won the National Award for best film on family values. 

Workshop Takeaways:

  • Training to discover the craft of acting
  • Developing confidence, self expression, and communication skills
  • Defining goals and how to focus on them
  • Learning more about yourself, your environment and others around you
  • Thinking outside the box, solving problems creatively, and most importantly, learning to take action

Details:

Dates: 3rd, 4th, 10th, 11th, 17th and 18th February 2018

Time: 9:00 am to 1:00 pm

Venue: Third Floor, Mumbai Marathi Sahitya Sangh, Kelewadi, Girgaon, Charni Road East, Mumbai

Fees: 8000/-

To Apply

Send an email to info@thedramaschoolmumbai.in

Call/WhatsApp us: +91 9619336336

Visit: www.thedramaschoolmumbai.in


Advanced Workshop Programme : Commedia dell'Arte with Marco Ziello

About the Instructor

Marco Ziello

University of Bologna l Teatro Azione, School of Drama

Marco is a theatre actor, director and teacher. He graduated in Performing Arts with Commedia dell’Arte as his specialization from the University of Bologna. He further trained in Commedia dell’Arte at Teatro Azione, School of Drama. Since 2011, Marco has been collaborating with the Porvoo Theatre in Finland as a teacher, director and an actor. He has also been a part of several other international collaborations in Italy, Finland, Spain and Australia.

About Commedia dell’Arte
Commedia dell’Arte is a form of humorous theatre where the manner of performance is more important than the subject of the play. It involves use of masks common fictional characters like servants, old men and lovers that are a part of every performance. It also lays impetus on improvised performances based on different scenarios.

Workshop Takeaways:

  • Understanding the fundamentals of Commedia dell’arte like character building, dialogues, sketching costumes, music and tricks
  • Mask work, techniques and gestures to induce humour to performance
  • Developing an understanding of the common fictional characters through body work
  • Improvisation in spoken text and performance
  • Developing comic timing and understanding the comic body

Dates: 22nd and 23rd February 2018 | Time: 8:00 am to 2:00 pm

Venue: Bhalerao Auditorium, Mumbai Marathi Sahitya Sangh, Kelewadi, Girgaon, Charni Road East, Mumbai

Fees: 5000/-

To Apply

Send an email to info@thedramaschoolmumbai.in

Call/WhatsApp us: +91 9619336336

Visit: www.thedramaschoolmumbai.in


Performance@theDSM : Museum of Species in Danger

Knowing today’s reality, it will not be wrong to say that safety and freedom of women is in danger. This play is a compilation of monologues of women characters from mythology, modern India from literary works as well. Most of the monologues are written and improvised by the actors themselves. The play attempts to sketch lives of women in India in great detail as to how moving in open spaces is vulnerable to their physical, mental and emotional health. The play has been inspired by infamous 2012 Delhi gang rape case.

About the group:

Being Association was established in 2017 by a group of National School of Drama graduates. Set up to work towards purposeful theatre that stimulates the audience, the group has seen recent success with productions like  — Is Kambhaqt Sathay Ka Kya KareYuddhoparant and an adaptation of Dharamvir Bharati’s Andha Yug. Their aim is to engage the society with deep rooted conflicted issues ranging from gender to class through the medium of meaningful drama.

Directed by Rasika Agashe

Visuals : Tarun Sharma & Sumedh

Music: Faiz Khan

Script : Sumedh

Associate Director : Mohd. Zeeshan Ayyub

Details:

Date: 17th February 2018

Time: 7 pm

Duration: 90 minutes

Send an email to info@thedramaschoolmumbai.in

Call/WhatsApp us: +91 9619336336

You can also book your tickets on BookMyShow.


Conversation@theDSM : Mahesh Dattani with Shanta Gokhale

Mahesh Dattani is a Sahitya Akademi Award winning director working in the Indian theatre industry for over thirty years. Besides directing, Mahesh has also been an actor and playwright. He has a degree in History, Political Science and Economics with post graduation in Marketing and Advertising Marketing. Mahesh has written and directed numerous plays and has also dabbled into making films. His film, Dance Like a Man has won the award for the Best Picture in English awarded by the National Panorama in 1998.

Mahesh will be interviewed by renowned writer and theatre-critic Shanta Gokhale.

At the DSM, Mahesh will talk about his journey, his theatre company, the industry around theatre and using theatre and drama for education in recent times.

Conversations@theDSM are a part of the DSM’s Rekha Sabnis Memorial Series.

Date and time: 10th February 2018, 5 PM

Venue: 5th Floor, Purandare Hall, Mumbai Marathi Sahitya Sangh, Girgaon, Charni Road (East)  Mumbai – 400 004

Entry: Free


Performance@theDSM : Kaif - An Evening of Music, Poetry and Stories

Kaif means intoxicated. In this performance, the group will sing songs and tell stories of legends from India who were infamous for being intoxicated in love or music, or both.

Featured songs:

Shiv Ki Baraat / UP folk song

Shiv ji comes with a procession of ghosts, sitting on the Nandi bull with snakes hanging from his neck to receive Parvati, his bride.

The song talks about Parvati’s family’s reaction to this eccentric bridegroom.

Sohni / Punjabi folk song

Sohni crosses the dangerous Chenaab river every night with the help of an earthern pot to unite with her lover, Mahiwal.

The song talks about a stormy night when Sohni finds a turbulent river and an unbaked pot, both trying to convince her not to cross today. However, Sohni’s resolve is unshaken and so is her love.

Meera / Rajasthani folk song

This song talks about Meerabai, the celebrated female poet-saint of India. Originally born as a princess and married into the kingdom of Chittor, the song talks about Meera’s love and devotion towards the divine and her resolve to break free from the material wealth of the kingdom and join her true love, the divine Lord Krishna.

Artists:

Guitar, vocals, narration – Pranita Nair Pandurangi

Mandolin – Yashashree Uchil

Pianica/Keyboard – Rahul Gajjal

Dholak – Mrunmay Chavan

Details:

Date: 3rd February 2018

Time: 7pm

Duration: 60 minutes

Venue: 5th Floor, Mumbai Marathi Sahitya Sangh, Kelewadi, Girgaon, Charni Road (East)

Tickets: Rs. 200

Mail: info@thedramaschoolmumbai.in

Call: +91 9619336336

You can also book your tickets on BookMyShow!


Performance@theDSM: Mumbai: The City United

‘Mumbai: The City United’ is a play that highlights the glocal spirit of the city – local as well as global. It throws light on the multicultural and multilingual features of the city and all its difficulties. Concept, visualisation, performance and direction by Akshay Shimpi and Dhanashree Khandkar.

Date: 27th January 2018

Time: 7pm

Venue: 5th Floor, Mumbai Marathi Sahitya Sangh, Kelewadi, Girgaon, Charni Road (East)

Tickets: Rs. 150

Mail: info@thedramaschoolmumbai.in

Call: +91 9619336336

You can also book your tickets on BookMyShow!


The Drama School Mumbai Gets A New Logo!

Dear Family,

As the Drama School Mumbai grows into its own – and stands free from its parent, Theatre Professionals, it was time to remove the TPPL presence from its logo and identity.

While we started with a simple crop, and went on many journeys near and far – we finally came to this place, where we can celebrate the school as we know it, the DSM – and those letters can stand proud and in their own right.

In this logo, are the TPPL company colours, a sense of the Sahitya Sangh, a homage to the old logo, the three letters that for a lot of us, say it all.

I hope you grow to love it as much as you did the one under which you took your journey.

Thank you Shaizia Jifri for bringing the DSM’s new identity to life.

Yours truly,

The Drama School Mumbai


Thespo & The Drama School Mumbai: Natyakala Workshop 2018

Image used for representational purpose!

Like last year, Thespo and the Drama School Mumbai have continued to work together on an exciting series of workshops for young people in theatre. Natyakala 2018 is running across 9 cities this year, expanding to Guwahati and Kolkatta in the east and Ahmedabad and Baroda in the west.

Natyakala workshops focus on developing foundation acting skills. Participants are introduced to basic concepts in improvisation and devising, understanding use of space, working with an ensemble and understanding oneself as performer.

Our first round of Natyakala workshops go live in Jan 2018. Dates and cities are as follows:

20th Jan – Mumbai

21st Jan – Pune and Nagpur

10th Feb – Delhi

11th and 12th Feb – Jaipur

For more details, including venues and timings, please keep a lookout on DSM Facebook page and website. If you are in any of these cities on the dates mentioned and would like to register for the workshops, please register by calling or sending a WhatsApp on 09619336336.


Acting through Text and Body - Foundation Skills in Acting with Kallirroi Tziafeta

Foundation Skills in Acting workshop in January at the Drama School Mumbai with Kallirroi Tziafeta.

About the Instructor: Kallirroi Tziafeta

University of Athens l London International School of Performing Arts

Kallirroi is a trained theatre actor. She has a BA in Theatre Studies from the University of Athens. She has also specialised in Acting in a three year programme at the Contemporary Theatre of Athens Drama School. After having moved to Mumbai in 2010, she has continued to perform internationally with shows in Greece, the UK and in India. Kallirroi has also trained at the prestigious London International School of Performing Arts, specialising in physical theatre.

 

Workshop Takeaways

  • Understanding the basic principles of acting through text and the body
  • Exploring presence and the effect of relaxation/tension to performance
  • Understanding different approaches to working with text, using multiple disciplines to explore text work
  • Physical and mental preparation (warm up) and a physical approach to acting and scene work

 

Dates: 8th to 12th January 2018

Time: 6:30 pm to 9:30 pm

Venue: Fifth Floor, Purandare Hall, Mumbai Marathi Sahitya Sangh, Girgaon, Charni Road East, Mumbai

Fees: 6000/-

To Apply :

Send an email to info@thedramaschoolmumbai.in

Call/WhatsApp us: +91 9619336336